You pass through them on the way to somewhere else.
That is often how the best images arrive — not sought, but glimpsed from a moving window, from a bend in a road, from the moment between looking and arriving. The rolling hills of central Japan in November carry a colour that does not stay long: the last warmth of autumn still in the foliage, the light low and golden, the landscape doing something that stops a conversation.
November Envy was made on 12 November 2017, on the way to Mount Fuji — from a point where the road curves and the hills open and the whole scene arranges itself with the naturalness of something that does not know it is being looked at.
Printed on Ilford Galerie Cotton Artist — a textured fine art cotton paper with a surface that gives the impression of watercolour or ink wash — the landscape softens slightly, which suits it. Japan in autumn does not need sharpening. It needs to breathe.
This is a smaller format work: intimate rather than commanding, and priced to reflect that. It is the kind of print that works in a hallway, beside a window, on a bedside shelf, or wherever a small, quiet image is exactly the right weight.
The right print for a room that doesn't need a statement — just a moment.
Paper: Ilford Galerie Cotton Artist — textured cotton fine art paper with a painterly, watercolour-like surface quality
Available sizes: 20cm × 20cm · 30cm × 30cm
Frame options: Print only · Black frame · Espresso frame
Origin: Near Mount Fuji, Shizuoka Prefecture, Japan. 12 November 2017.
Printed: Melbourne, Australia
Shipping details: We work with a network of independent printers and framers in Melbourne to fulfil orders. Delivery time varies between 10-25 days for anywhere in Australia.
15% profits are donated to The Smith Family to help support education costs of financially disadvantaged children in Australia.
*The mockup image of the print on display in the dining room is for reference only and may not be to scale
You pass through them on the way to somewhere else.
That is often how the best images arrive — not sought, but glimpsed from a moving window, from a bend in a road, from the moment between looking and arriving. The rolling hills of central Japan in November carry a colour that does not stay long: the last warmth of autumn still in the foliage, the light low and golden, the landscape doing something that stops a conversation.
November Envy was made on 12 November 2017, on the way to Mount Fuji — from a point where the road curves and the hills open and the whole scene arranges itself with the naturalness of something that does not know it is being looked at.
Printed on Ilford Galerie Cotton Artist — a textured fine art cotton paper with a surface that gives the impression of watercolour or ink wash — the landscape softens slightly, which suits it. Japan in autumn does not need sharpening. It needs to breathe.
This is a smaller format work: intimate rather than commanding, and priced to reflect that. It is the kind of print that works in a hallway, beside a window, on a bedside shelf, or wherever a small, quiet image is exactly the right weight.
The right print for a room that doesn't need a statement — just a moment.
Paper: Ilford Galerie Cotton Artist — textured cotton fine art paper with a painterly, watercolour-like surface quality
Available sizes: 20cm × 20cm · 30cm × 30cm
Frame options: Print only · Black frame · Espresso frame
Origin: Near Mount Fuji, Shizuoka Prefecture, Japan. 12 November 2017.
Printed: Melbourne, Australia
Shipping details: We work with a network of independent printers and framers in Melbourne to fulfil orders. Delivery time varies between 10-25 days for anywhere in Australia.
15% profits are donated to The Smith Family to help support education costs of financially disadvantaged children in Australia.
*The mockup image of the print on display in the dining room is for reference only and may not be to scale